In Not Blessed, a story is told not once, but twenty-eight times in twenty-eight shifting versions. Here, a story acts as a chosen narrative constraint, a constraint which, once chosen, becomes a compulsion within the text, a landing point the narrator must reach again and again. Not Blessed: a brilliant twist of a tale, where narrative is spun like politics in the nightly news, deployed in a language that delights and distorts as it winds toward the trauma of non-truth and multiple non-originals. Not Blessed asks: what is the what that makes who?