Melissa Castellano, Interim Program Coordinator
Melissa Castellano studied Environmental Design (architecture, furniture and product design), at Art Center College of Design from 2005 - 2009 and has been working as an independent designer since 2009. A “Jill of all Trades” she has also worked in event production and coordination for many years, as well as spatial design and 2D design such as graphic and web. Her focus as a spatial designer is to implement strategy, research and efficiency, with an emphasis on sustainable design. Melissa is also a multi-instrumentalist and is currently in two bands: Tall Tales and the Silver Lining and the Evan apRoberts Band (with her husband Evan).
Robert Crouch, Adjunct Curator
Robert Crouch has curated projects at LACE with artists Karen Lofgren, Sean Sullivan, and Margo Victor, and organized the experimental electronic music festival, Resonant Forms. In 2012 he organized Steve Roden: Shells, Bells, Steps and Silences and Group Dynamics and Improper Light, a new project with Los Angeles artist Gina Osterloh. Crouch is also the co-founding Director of VOLUME, a curatorial project that functions as a catalyst for interdisciplinary new media work through exhibitions, performances, events, lectures, and publications, and has worked with a wide range of artists including William Basinski, Nate Boyce, Richard Chartier, Loren Chasse, Tim Hecker, France Jobin, Kadet Kuhne, Lucky Dragons, Carsten Nicolai, Yann Novak, Steve Roden, and Christopher Willits. VOLUME has presented projects at venues including the Hammer Museum, the de Young Museum, the San Francisco Art Institute, and SF Camerawork.
Mark Steven Greenfield, Interim Executive Director
A native Angeleno, Mark Steven Greenfield studied under Charles White and John Riddle at Otis Art Institute in a program sponsored by the Golden State Life Insurance Company. He went on to receive his Bachelor’s degree in Art Education in 1973 from California State University, Long Beach. To support his ability to make his art, he held various positions as a visual display artist, a park director, a graphic design instructor and a police artist before returning to school, graduating with Master of Fine Arts degree in painting and drawing from California State University, Los Angeles in 1987. From 1993 through 2010 he was an arts administrator for the Los Angeles Department of Cultural Affairs; first as the director of the Watts Towers Arts Center and the Towers of Simon Rodia and later as the director of the Los Angeles Municipal Art Gallery. In 1997 he also joined the faculty at Los Angeles City College where continues to teach courses in Drawing and Design. In 1998 he served as the Head of the U. S. delegation to the World Cup Cultural Festival in Paris, France and in 2002 he was part of the Getty Visiting Scholars program. He has served on the boards of the Downtown Arts Development Association, the Korean American Museum, and The Armory Center for the Arts and was past president of the Los Angeles Art Association/Gallery 825.
Shoghig Halajian, Interim Exhibitions and Operations Manager
Shoghig Halajian is a curator who is involved with a number of arts organizations in Los Angeles. In 2007, she co-found Eighteen Thirty Collaborations, a project space that focused on single artist commissions and performance-based works. She has worked with LACE since 2008, and recently rejoined the staff to oversee communications, programming and operations. In addition to LACE, she currently serves on Human Resources's curatorial committee, contributes as an editor on various publications through FRANK in Oslo, and has participated in MOCA's Engagement Party program as journalist. She has also presented projects at venues abroad, including SOMA in Mexico City, Unge Kunstneres Samfund (UKS) and Kunstnernes Hus in Oslo, and Magasin-CNAC in Grenoble, and worked with a range of artists including Christine Rebet, Wu Tsang, Gail Pickering, Natalie Bookchin, Pierre Bismuth, among others. She is a CalArts alum with a Master's degree in Critical Studies: Aesthetics and Politics.
Holly Witham, Bookkeeper
Ms. Witham has a degree in accounting and has worked as an accounting manager for businesses and associations for 15 years. In addition to her accounting work, she is involved with small theater groups and is interested in community issues. Having the ability to be of service in her work and her community is indicative of the balance Ms. Witham brings to her life and to the lives of those around her.
BOARD OF DIRECTORS
Jeff Cain, Secretary (6/12) is an artist, designer, curator and director of the Shed Research Institute. His work as been featured in the Getty Museum’s California Video exhibition, LACMA, LACE and many other southern California art spaces. His community radio project, RHZ Radio was a finalist for the 2005 Prix Ars Electronica in Digital Communities. His work has been displayed internationally in the Havana Biannual and and the Center for Contemporary Art in Kyiv, Ukraine. He has a BA from Whittier College, and a MFA from the California Institute of the Arts. He is currently faculty in the USC Roski School of Fine Arts and at California State University Fullerton, and has been faculty at California Institute of the Arts, Whittier College, and Southern California Institute of Architecture. He is also currently the Exhibition Designer at the University of California ARTSBlock.
Kenturah Davis (10/13) is a Los Angeles artist and has produced work for exhibitions, artist collaborations, film and commissions. The core of her work oscillates between portraiture and design, exploring themes related to the body and the formation of identities. Davis is the featured visual artist in the syndicated documentary, “Ray Charles America” that aired on A&E Network. She is a collaborator in Andrea Zittel’s Smockshop and Panelshop projects, designing product for the artist enterprise and representing the group in national and international exhibitions. Last year’s Mis-Design exhibition at the University of Melbourne’s Ian Potter Museum included two works by Davis.
Kathie Foley-Meyer, Vice-President (12/11) is a graphic designer and mixed-media artist based in Los Angeles, and the owner of createstudio design. Her clients include arts-related nonprofits such as The Robey Theatre Company and the California African American Museum. She received an MFA in Critical Studies from California Institute of the Arts and a BS in Foreign Service from Georgetown University. She studied graphic design in the UCLA Extension Design Communication Arts and Art Center at Night design programs, and neon fabrication at Pilchuck Glass School. She has exhibited her artwork in group shows in Los Angeles, Texas, Illinois, Kentucky and Oklahoma. Kathie served on the Museum of Neon Art (MONA) Board of Trustees from 2006-2012, and was a docent with the LA Conservancy. She was also a member of the Artist Advisory Group and Artist Selection Panel for the Metro Art Expo Line. She was a Pre-Qualified Public Art Consultant with the CRA\LA for 2009-2012. She is the creator of Project Bronzeville, a multi-disciplinary showcase inspired by the Bronzeville period in Los Angeles history.
Maureen Haines (01/13) is the founding principal of Mackerel Sky Architecture. She has over 20 years experience in innovative design and development of a diverse range of projects. This long history of successful projects is a tribute to the strong ability of Ms. Haines at creating collaborative teams unique to each project. Other areas of expertise include feasibility studies, master planning, project presentations for foundations, assistance in marketing and assistance in fund raising. Ms. Haines is a critical thinker with a broad range of experience, providing project solutions with inherent value.
William Moreno, President (12/10) is a curator, writer and director of William Moreno Contemporary which mounts periodic exhibitions. He is also the principal of an independent consulting business. Most recently, he was Associate Director of ArtPadSF, a hotel-based art fair. He was the founding Executive Director of the Claremont Museum of Art and the director of The Mexican Museum, San Francisco. He has been a featured panelist on topics ranging from the contemporary role of museums and the international art landscape at the Commonwealth Club, the American Institute of Architecture, Latino Art Now Conference, William Turner Gallery, ArtPadSF and others. He has appeared on KCET’s series California’s Gold as well as other media. He serves on the Advisory Board for the California Association of Museums (CAM) and is a board member of Make Music LA.
Jackie Sharp (2/11) worked as a co-producer at Target Video, the now legendary arts and video collective located in San Francisco’s Mission District. She established Independent World Video, was an Executive Producer at VH1 and later, Vice President of Production and Original Programs. She is currently President and Treasurer of Sharp Properties, Inc. Jackie continues to work actively with Target Video (aka TargetVideo77.) She has developed a unique set of talents that she brings to the artistic and business fields in which she works.
Ben Smith, Producer (4/12) As a producer and President of Captivate Entertainment based at Universal, Ben Smith is instrumental in every aspect of the day-to-day operations of the filmmaking process, from the acquisition and creative development of distinguished material to bringing each project to light. Prior to forming Captivate Entertainment, Smith was a veteran motion picture agent at ICM for over twelve years where he was known for shepherding, as well as packaging, many high level film and television projects with the actors, writers, directors and literary properties he represented. Before his career in Hollywood, Smith spent over seven years traveling the globe documenting the rapidly changing socio-political landscapes in the Middle East, South East Asia, and Central and South America.
Marta Sullivan, Treasurer (11/11) is an independent accounting consultant who has been a collector since the 1980’s. Her consulting has dotted the entertainment industry map of Los Angeles. She brings her financial background to LACE as well as a commitment to stimulating the creative energy. Her goals are to see LACE grow in stature and visibility over the next few years and to increase her exposure to the creative process.
Melanie Edmunds (12/13) is the founding director of M. Edmunds Associates, a full-scale art advisory and consulting company specializing in contemporary art of the African diaspora. Ms. Edmunds received her B.B.A. in Business Marketing and M.A. in Art History from Howard University. Throughout her extensive career in business and the visual arts, Ms. Edmunds has taken on projects ranging from fine art acquisitions to art fair exhibitions and public art education programs. She has worked for the High Museum of Art, Smithsonian American Art Museum and the Whitney Museum of American Art, and is currently the west coast Gallery Liaison for Artsy. Ms. Edmunds is an active member of museum and community organizations in Los Angeles. She is involved with Arts for LA, National Association of Latino Art and Culture, California Alliance for Arts Education, American Association of Museums, and the Papillion Institute of Art.
Ha Kyung Lee
Hannah Van Sickle