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You are here: Home / LACE / 2005-2009 / Fallen Fruit: United Fruit

Fallen Fruit: United Fruit

20090617_Fallen-Fruit-United-Fruit_United-Fruit_Banana-Workers_08

June 17, 2009 – September 27, 2009

Drawn from Fallen Fruit’s recent trip to Columbia, David Burns, Matias Viegener and Austin Young examine the social, political and pop history of the banana.

17 June – 27 September 2009
Opening reception: 16 June 2009, 8 – 10pm

LACE Salon Series Events with Fallen Fruit
?15 September 2009, 8pm – Lecture with Dan Koeppel
20 September 2009, noon – Banana Meditation & Artists Talk

LACE is proud to present United Fruit, the first solo show by the artists collective Fallen Fruit (David Burns, Matias Viegener and Austin Young). This exhibition premieres a new body of work generated during Fallen Fruit’s recent residency in Colombia, South America which features a series of photographs and video installations exploring the social, political and pop history of the banana.

The opening reception, on Tuesday June 16 from 8pm – 10pm, features Are You Happy to See Me?, a participatory performance involving hundreds of bananas available for eating.  Attendees will be encouraged to photograph themselves playing with this often comical or suggestive fruit.

As the most popular fruit in the world, the banana is ubiquitous in daily life — both as a food staple in grocery stores large and small as well as the supremely seductive fruit used in modern advertising and branding.  At the same time the banana’s history, politics and origins have remained virtually invisible due to the remoteness of where they are grown and of the people who grow them.

Fallen Fruit’s installation at LACE engages its subject in a range of bold and oblique strategies, signaling perhaps that no single history of the banana is possible.  The title for the exhibition, United Fruit comes from the United Fruit Company which exists today in a much reduced form as Chiquita Bananas.  More powerful than the Latin American countries it colonized, the corporation was marked by its ruthlessness and corruption, and its exploitation of workers, a turbulent history of protests and events that lead to the infamous Banana Massacre of 1928 near the town of Ciénega, Colombia, which Fallen Fruit visited to create this work.  Burns, Viegener and Young chose to retain the title United Fruit for its hopeful and utopian echo, a contrast to its actual history.

The banana was first brought to Colombia over a hundred years ago by the United Fruit Company, which had a stranglehold on the global banana market, dominating all of North America and parts of Europe.  They helped Latin American countries build railroads which were then utilized primarily for banana shipments, building a vast system of plantations which held workers in perpetual isolation.  The economic model of the United Fruit Company became a template for a new kind of global monopoly capitalism.  In the 1970s the company finally collapsed from a combination of political pressure, its own corruption, and changing economics.

The banana is a cultural symbol that has a powerful history of marketing and manipulation.  In addition to its examination of the social and political history of the banana, United Fruit also examines the playful place of the banana in pop culture as the central prop in suggestive jokes and naughty humor. As much as there is a prohibition against stating the obvious, the force of the banana as a phallic symbol cannot be ignored.

Learn more about the banana.

The projects included in the United Fruit exhibition is part of a new long-term work-in-progress entitled The Colonial History of Fruit.  This initiative combines the focus of Fallen Fruit’s work with the local or particular with the global, allowing the artists to juxtapose two kinds of history: the broad or “objective”  and the anecdotal or “subjective.”  The history of how the fruit we eat comes from a specific place and ends up on our tables moves through specific or objective economic, historical and political forces. The “subjective” history resides in individuals and groups, the anecdotal tales of how people find new fruits, rediscover old ones, or carry along others from distant places.  The next fruits to be examined are the kiwi and arctic berries.

Read a review by Art in America here.

ABOUT FALLEN FRUIT
Fallen Fruit is a collaboration between David Burns, Matias Viegener, and Austin Young.  Founded in 2004, their projects range from social practice (events, performances and public actions) to photography, video and installations.  Fallen Fruit deploys fruit in their work to examine social relationships, the environment, urban space and transnational capitalism.  Fruit in this sense is transhistorical and crosses all classes, ages and ethnic groups.  It is both ubiquitous and often invisible, yet it is also the food that appears most often in art. All of Fallen Fruit’s projects touch on, work through or work with fruit in some manner. They state that “fruit is the lens through which we look at the world. www.fallenfruit.org

Read about Fallen Fruit in CABINET.
For more information download the UNITED FRUIT press release.

Fallen Fruit: United Fruit has been made possible through the generous support of the Good Works Foundation, the Andy Warhol Foundation for the Visual Arts and Side Street Projects.

The opening is sponsored by Whole Foods Market Arroyo Parkway

 

 

Media

Fallen Fruit United Fruit LACE Press Release Final

Banana Handout Final

Art in America Fallen Fruit Review

Filed Under: 2005-2009, Exhibition, Installation, LACE, Performance, Video Tagged With: 2009, Are You Happy to See Me?, Austin Young, banana, David Burns, Exhibition, Fallen Fruit, Fallen Fruit: United Fruit, installation, lecture, Matias Viegener, performance, Video

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LACE (Los Angeles Contemporary Exhibitions)

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“A Tender Excavation” approaches research-base “A Tender Excavation” approaches research-based artistic practices through propositions of alternative histories, bringing together a group of artists who work with historical and familial photographic archives as a point of departure to construct new narratives and elicit transformation.

LACE is thrilled to introduce three of the artists featured in the exhibition...

❥ Jamil G Baldwin (@juh_mile) was born in Lancaster, CA and raised in and across the Inland Empire and Los Angeles. Baldwin’s work explores the ability of the photographic document to reconstitute the histories of images and material into value systems of care.

❥ Camille Wong (@camillexwong) is a research-based artist living in Los Angeles, CA. Their practice examines power, geopolitics, and historiography through the lens of media and spectacle. They approach the gaze of ethnography by authoring the personal into the world through experimental documentary.

❥ Artemisa Clark (@bustilacaca) is a multidisciplinary artist from Los Angeles. She received a MA in performance studies from Northwestern University in 2016 and a MFA in visual arts from the University of California, San Diego in 2015. She has exhibited and presented research in spaces such as MOCA, The Hammer, the Mexican Consulate, the Vincent Price Art Museum, and more.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
Swipe to see selections from LACE’s archive over Swipe to see selections from LACE’s archive over the last almost 50 years!

LACE is excited to announce that we will be at the Los Angeles Archives Bazaar this Saturday, October 18, at CSULA! The event will feature 80 local and regional collections, along with practical workshops and exclusive presentations by archivists, filmmakers, and preservationists.

This year’s Archives Bazaar is presented by the LA as Subject Research Alliance in partnership with the USC Libraries, the Cal State LA University Library, and the Cal State LA Pathway Programs Office.

The Archives Bazaar runs from 10–3 PM in the Golden Eagle Ballrooms at Cal State LA. Admission is free. For the full program and exhibitor list, visit laassubject.org.

Slide 1: “The Archival Impulse: 40 Years at LACE” (March 15, 2018 – November 7, 2021). Photos by Chris Wormwald (@christopherwphoto).
Join LACE and multidisciplinary artist Marnie Webe Join LACE and multidisciplinary artist Marnie Weber (@marnieweberstudio) on Thursday, November 13 from 7-9 PM at the Philosophical Research Society (@philosophical_research_society) for the Los Angeles premiere of her latest film, “House of the Whispering Rose” (2025). The screening will also feature Weber’s film “Song of the Sea Witch” (2020).

Filmed at the historic Beverly Estate in Beverly Hills, where silent film star Marion Davies and William Randolph Hearst shared their final days, “House of the Whispering Rose’’ takes place against a backdrop of forgotten wealth and grandeur.

Following the screening, LACE’s Curator and Director of Programs Selene Preciado (@selene__preciado) speaks with Marnie Weber to learn more about the making of the films and her collaborations. Light refreshments will be provided.

Reservations are filling up quickly and space is limited. RSVP at the link in our bio.

This program is supported by the Andy Warhol Foundation for the Visual Arts.
The works selected for “A Tender Excavation” d The works selected for “A Tender Excavation” depart from personal, familial, or historical photographic archives which ultimately are recontextualized through installation, collage, painting, film, video, sculpture, or mixed media, reimagining and reconnecting lost fragments to speak about personal and collective resilience, constructing new possibilities for an interconnected futurity.

LACE is thrilled to introduce three of the artists featured in the exhibition...

✷ Mercedes Dorame (@mercedes.dorame)  is a multi-disciplinary artist who calls on her Tongva ancestry to engage the problematics of (in)visibility and ideas of cultural construction and ancestral connection to land and sky.

✷ Leah King (@leahkinglive) is a multimedia artist working in collage, sound, film, and performance. Her intricately layered visual and sonic works explore race, gender, and power through a futurist lens.

✷ Ann Le (@annsgood) is a LA based artist and Senior Lecturer of Photography and Fine Arts at Loyola Marymount University. Her photomontages explore identity, family history, the diaspora, and the space in between becoming Vietnamese-American.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
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